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Both the concert footage and the additional narrative scenes were directed by Lance Drake, who had previously worked with the band, directing the music videos for all 5 of the singles from Simulation Theory. Muse's performances at the O2 Arena, London, on 14–15 September 2019 were filmed. The NPC closes the film by stating that while The One may have saved this reality, there are more. After a climactic battle, The One prevails and defeats the Truth Slayer. The One gains access to the mainframe, gains the power of a glove, and confronts the Truth Slayer. The Truth Slayer then breaks out of his containment and a hero, known as 'The One' (Matthew Bellamy), enters the same reality to stop him from gaining control of more. The NPC then takes control of the news broadcasts and puts words in their mouths, stating that the virus is a hoax and that 'there is nothing to fear'. The media reports on the virus and large sections of London are quarantined off to curb the infection rate, with multiple NPCs coming to fight off the infected people. The NPC explains that due to a tear in their reality, a deadly virus has been released and a new entity, known as the 'Truth Slayer', is being created. A mysterious woman then appears and reveals that she is an NPC from the 'mainframe'. After being pulled back to his reality, he is then bitten by a mysterious phantom, causing him to become infected with an unknown pathogen and mutate into a monster. One of the scientists called Murphy, touches the cabinet, causing him to break the fabric of his reality and be transported into another one where he finds himself in the crowd of a live Muse concert.

'Metal Medley' (Extracts from ' Stockholm Syndrome', 'The Handler', ' Assassin' and ' New Born')Ī group of scientists is sent to investigate a mysterious source producing unknown paranormal activity, which leads them to a concert stage located in London with an arcade cabinet on it.

'Algorithm' (Alternate Reality version).

The omitted songs included ' Plug in Baby', ' Hysteria', ' The 2nd Law: Unsustainable', ' Time is Running Out', ' Reapers' and ' Knights of Cydonia'. Some songs were shortened and re-ordered from how they were played live for the film, and multiple songs performed were omitted.

The songs featured in the film primarily focus on songs from the Simulation Theory album, but multiple other songs from previous Muse albums are also included, as well as additional film pieces composed by Matt Bellamy. The film primarily consists of live concert footage of Muse's shows at the London O2 Arena in September 2019, with an overarching narrative tying the songs together. The film combines live concert footage from Muse's shows at the O2 Arena in London from 14 to 15 September 2019, which were part of their worldwide Simulation Theory World Tour that took place throughout 2019, with more traditionally filmed scenes that take place in between and during songs, making up the film's narrative.

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Directed by Lance Drake, it was released on 17 August 2020 in a one-night only worldwide IMAX release, with a download and streaming release on 21 August.

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‘ This means war with your creator.’ Both the engrossing disco-Queen shimmy The Dark Side and Propaganda, a brilliant sci-fi R&B epic involving comedy Bee Gees backing vocals and an evil AI singing the chorus – speak of wanting to break free of a ‘dark fantasy world’, as though Bellamy feels that Simulation Earth has gone dangerously awry.Muse – Simulation Theory is a concert film by British rock band Muse, based on their 2018 album Simulation Theory and its supporting tour in 2019.

Algorithm, a krautrock-ish march merging symphonic menace with the proto-electro sounds of Jean-Michel Jarre, discusses the philosophical impact of mankind being superseded by technology: ‘ Algorithms push us aside, render us obsolete,’ he wails. Muse mainman Matt Bellamy characteristically used the conceit to explore the sinister side of the erosion of humanity. A virtual band-within-a-band, they’re 21st-century rockers transforming themselves into an 80s synth-rock simulation, and playing around with the sonic toys that entails: Vangelis synth throbs and sizzles Jacko funk falsettos the sort of gated-reverb drums you can’t hear without picturing an underlit Phil Collins. And Muse twist the idea to create their own Sgt Pepper ‘character’ album. The wider concept – following albums revolving around mechanised remote control warfare ( Drones) and global resource depletion ( The 2nd Law) – is more knockabout too: the idea that we all actually live in a virtual reality simulation.

Simulation muse